effect change
Philip Findlay - Ilona Mr A - Roger Libesch - Christian Ruckdeschel
Thursday, March 18, 2010
Christmas Dawn Ash Doujin
9th April to 9 May 2010 Friday, 9th April 2010, 19 clock
Barbara speaks at the opening Easy MA, Art Museum of Erlangen eV
Musical Programme: Hannes Selig on the wing.
Musical Programme: Hannes Selig on the wing.
artist talks: Findeisen
Ilona Lord One: Wed., 21.4, 18 clock
Roger Libesch: Wed., 28.4, 18
example for the multifaceted relations of man fluid, its urban environment, its creative and destructive power, its nature and acculturation show, four artists four contrasting aspects that make their effect changes in the recipient, an abstract reflection on the urban people, its opportunities and risks, source, present and future, through temporal and structural change.
clock. Christian Ruck: Wed., 5.5, 18 clock
opening times: Mon-Fri
, Clock 16-20, Sat / Sun., 14-18 Clock 
Mr. Einers figurative sculpture show in an exaggerated form of the transformation of natural origin of man and individual visions of its future. Her sculptures irritate and comfort same time, because they have a return of the recipient on his own story. The works oscillate between a playful and childlike, and a deep melancholy and serious appearance. It makes sense that on emergence, existence and decay beyond the natural process of creation unstoppable progress. Mr. Einers work show that there is no defined target state, but only snapshots of social and physical conditions.
buy items from the vast repertoire of his complex and narrative paintings in size from as yet unusual wall scribbles. For the first time goes directly to Libesch the available space. His works are created temporarily and remain visible only over the period of the exhibition. It shows snapshots of urban life, tells the stories of everyday life of his contemporaries, the creators of both victims and their self-created environment. His partially reminiscent of manga imagery contrasts at first sight with the traditional media of the other three artists, and complements it seamlessly with the manifold possibilities of the representation of modern man in the inexorable shift from natural, environmental and media-shaped society.
sculptures are primarily aesthetic, abstract objects, have the architectural trends as well as figurative aspects can. In their size, they symbolize the structure and organizing power, the materials are given by nature and conduct of which the sculptor can. Ruckdeschel sculptural intuition generates a mostly geometric shapes, which clearly contrasts with the organic form. The process plays a central role. Color, texture and density of the stone are the basis for the emotional dialogue between artist and material. By Nonfunktionalität of the works is the artist's freedom to formal self-definition and clearly demonstrates that represents a sense of aesthetics and of itself.
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