Tuesday, March 30, 2010

What Are My Lamps Worth

sunlight clouds

Elbe in Dresden

Thursday, March 18, 2010

Wedding Messages Congratulations

Monday Monday


Mo., 12th April 2010, 19:00 clock

centrifuge (Hall 14 to AEG), Nuremberg
Muggenhofer Str 135, Nuremberg
- Free admission -
Agenda:

19:00 Come Together loose
    from 19:30 presentations and articles on various topics (2 pieces of approx 1 hour
  • During the break, and then can exchange ideas, initiate projects, to network, discuss, etc.
  • end of the presentations about 22 clock, then a loose end
  • offers the Creative Monday :
in a relaxed environment New
know talk to each other
learn from each other
experiences and exchange ideas
    initiate projects
  • The "Creative Friday" is a new, self-organized meeting of stakeholders and for stakeholders in the cultural and creative industries. Interested parties are just as curious welcome. The event has the format for the Internet scene has long been known and proven Webmontag model. The Creative Monday is to take place regularly at various locations in Nuremberg and can easily be adapted by other cities and towns. The premiere is on 12.4.2010 at 19 clock in the centrifuge at AEG.
  • The cultural and creative industries including film production companies and broadcasters as well as journalists and news agencies or the manufacturer of computer games. Also, advertising and design agencies, architects, publishers, museums and galleries are among them. Creative Monday when representatives of these different areas of insight into their work, present ideas and projects. Reviews of the Creative Monday are dedicated, lively and short. In sound and vision. Bunt. As an example, representative, quickly. Sometimes provocative or irritating and often spontaneous.
The guests of the Creative can look forward to Monday:
compressed representations of very different, but consistently creative work and work areas, which act committed people are - whether staff or freelance
exciting insights into various areas of cultural and creative economy that we get every day as consumers in touch: film, architecture, book, advertising, fine arts, music, etc.
constructive discussions
networking and cooperation
  • registration for participants and guests at "hotspots Creative Nuremberg":
  • http://chnue.mixxt.de/networks/events/show_event.16128
information
the BMWi to cultural and creative industries:
www.bmwi.de / go / culture

hashtag (Twitter):
# chnue

Small Dual Zone Wine Fridge

Quadrophonia


festival of experimental sound and music
21st and 22 May 2010, each clock 19:00
centrifuge (Hall 14 to AEG), Muggenhofer Str 135, 90429 Nürnberg. Quadrophonia be the first festival in the Nuremberg have for free improvisation, experimental music and sound art. Other features include surround sound, electro-acoustic sound synthesis, solo and interacting game, research and experiment.





Quadrophonia combines two evenings a sound artist, electronic acoustics, sound researchers, sound designers and musicians of diverse backgrounds and with very own acoustic concepts. Each of the national and international artists has been working for years with the subject of sound and developed his own individual musical language and acoustic tools. The festival is intended as a forum for contemporary acoustic expressions and movements, which goes far beyond the aesthetic genre-specific music listening habits and categorized consistently breaks.
INVITED ARTISTS


Zoy Winterstein (Nuremberg)

composer of electro-acoustic music, instrumentalist (Live Electronic piano, saxophone)
Michael Ammann (Fürth)
    sound artist, musician, composer, improviser (phonetics, filter, surround sound, UKO)
  • Robert Schlund (Nuremberg)
  • sound design, music (various synthesizers (virus) and sound resources)
  • Sascha Pieler (Fürth)
  • acoustic performer. Film, image, voice, and object-setting. Sound Collage (Fat orange label)
  • Uwe Weber (Nuremberg)
  • AvantgardMusiker, actor and composer (Vokaltheatral and vocal experiments)
  • George Hazard (Karlsruhe)
  • Electroacoustics, DJ. Solarphonium, JOMOX T-Resonator (ZKM Karlsruhe, ICHIIGAI label)
  • Alexander von Prümmer (Berlin)
  • electric hearing, performer, Interactive (ZKM Karlsruhe, ICHIIGAI label)
  • Frank Bierlein (Karlsruhe)
  • multi-channel sound installations, experimental dance music, demolition and Noise / Internet, Mozilla Firefox, router Jack, Max / MSP 4channel out (ZKM Karlsruhe, ICHIIGAI label)
  • Bastus Trump (Berlin)
  • sound designer, saxophonist, sound artist / Ableton Live, Max / MSP (UDK Berlin)
  • OPERATORS
  • The event is supported by Audio Art Association of Erlangen, Nuremberg and centrifuge. In cooperation with Fat Orange Fürth and Ichiigai Karlsruhe
  • The initiator is Michael Ammann.
The
centrifuge is a nonprofit project to network interested in culture and creative artists with a focus on the metropolitan region of Nuremberg. Currently, the club's exhibition and events hall centrifuge recorded as part of an intermediate user to AEG.

The Erlanger Audio Art Association was founded in 1999. He acts as organizer of the Erlanger Acoustic Art Festival and various Hörkunstveranstaltungen between the festivals. He also seeks to represent the interests of artists and Hörkunstinteressierten.


INFORMATION
www.hoerkunst.de
www.zentrifuge-nuernberg.de

www.m-ammann.de
PRESS AKKREDITIERU
NG mail to Michael Schels: m. schels@kulturbuero-schels.de


Christmas Dawn Ash Doujin

effect change


Philip Findlay - Ilona Mr A - Roger Libesch - Christian Ruckdeschel

Opening:
Friday, 9th April 2010, 19 clock
Barbara speaks at the opening Easy MA, Art Museum of Erlangen eV
Musical Programme: Hannes Selig on the wing.
artist talks: Findeisen
Phil: Wed, 14.4, 18 clock

Ilona Lord One: Wed., 21.4, 18 clock
Roger Libesch: Wed., 28.4, 18
clock. Christian Ruck: Wed., 5.5, 18 clock
opening times: Mon-Fri
, Clock 16-20, Sat / Sun., 14-18 Clock

example for the multifaceted relations of man fluid, its urban environment, its creative and destructive power, its nature and acculturation show, four artists four contrasting aspects that make their effect changes in the recipient, an abstract reflection on the urban people, its opportunities and risks, source, present and future, through temporal and structural change.

Findeisen
large painting focuses on the natural environment and the phenomenon of "nature", his View of "nature" is not naturalistic, but from the subjective and abstract perspective of the modern people of our culture. By playing with the surface - appear on an abstract backdrop-landscapes can be created Findeisen imaginary space. The artificial color to convey that a future state may have in apparent parallel to its origin through its history a generic deviant nature.

Mr. Einers
figurative sculpture show in an exaggerated form of the transformation of natural origin of man and individual visions of its future. Her sculptures irritate and comfort same time, because they have a return of the recipient on his own story. The works oscillate between a playful and childlike, and a deep melancholy and serious appearance. It makes sense that on emergence, existence and decay beyond the natural process of creation unstoppable progress. Mr. Einers work show that there is no defined target state, but only snapshots of social and physical conditions.

Libesch
buy items from the vast repertoire of his complex and narrative paintings in size from as yet unusual wall scribbles. For the first time goes directly to Libesch the available space. His works are created temporarily and remain visible only over the period of the exhibition. It shows snapshots of urban life, tells the stories of everyday life of his contemporaries, the creators of both victims and their self-created environment. His partially reminiscent of manga imagery contrasts at first sight with the traditional media of the other three artists, and complements it seamlessly with the manifold possibilities of the representation of modern man in the inexorable shift from natural, environmental and media-shaped society.

Ruckdeschel
sculptures are primarily aesthetic, abstract objects, have the architectural trends as well as figurative aspects can. In their size, they symbolize the structure and organizing power, the materials are given by nature and conduct of which the sculptor can. Ruckdeschel sculptural intuition generates a mostly geometric shapes, which clearly contrasts with the organic form. The process plays a central role. Color, texture and density of the stone are the basis for the emotional dialogue between artist and material. By Nonfunktionalität of the works is the artist's freedom to formal self-definition and clearly demonstrates that represents a sense of aesthetics and of itself.

Tuesday, March 16, 2010

How To Prepare A Cake In Kenstar Microwave

game experience God or know God

found it interesting, and aptly
http://distomos.blogspot.com/2009/05/gott-erleben-oder-gott- kennen.html

The company also makes fun before the church of Jesus Christ does not stop, unless we resist it.
If at the end it's all about, it's me well, we are indeed not the God Yahweh, but our religious EGO. But we can not serve two masters.

We do not have God, we can not force him to talk to us. But we do so often, hell-bent to hear the voice of God. Yahweh has spoken, we have it in writing. Why do we always want special treatment, that is an extra speeches of God, even though all this is clear. At least in most situations. But
hear voices from the off, that's great. Supernatural. There is nothing new, the gospel is the old. But who would want to? The desire for new things is great. Always something new. Until there is a new (different) become gospel, because it has discarded the old one. And you're tempted ...

used to say: "Cobbler, stick to thy last!" Today I say: "Christians, remains at the old gospel!"